For me I basically experienced how it feels like to hear voices and it's rather hard to concentrate. The end of the world is not an event to come, it is an event of psychological transformation, of visionary transformation." It made me question my questioning, and damn the ego that we assume during existential crisis. At the end of the film, he's learned absolutely nothing, wrecked his marriage and relationships with his son and friends, and seems to doom himself to his future.By contrast, it's Lisa, the supposedly "dull" girl, who seems to have the real heart. Michael talks about loving and valuing people as a customer service consultant but fails to do so as a member of the human race.

In the face of a puppet wailing through the banality of a business trip, the film gently reminds us of something easily forgotten- yours is not the only conflict in the room. I took the wrong train for a few stops, and after spending a few minutes admiring the varied faces of these not-puppet New York City commuters, I spent most of the train ride home staring at my phone. Does that feeling just become normalcy at some point? When you see the kingdom spread upon the earth, the old way of living in the world is annihilated. Michael sees people under the same voice because each one is just a customer (him being a customer service consultant) he has no value towards them other than a transactional level and formalities.Perhaps Anomalisa is not necessarily a comment on love lives but rather a comment on how to love to people in people our lives. Tom Noonan is brilliant in the restraint he shows, delivering into the concept by refusing to intonate his voice to suit the characters.

The smallest of details have all been considered. The real journey is unclean. The site may not work properly if you don't If you do not update your browser, we suggest you visit Press J to jump to the feed. So much happened in one year. I think this shows that the person he "chased" could have been anyone and it would have been the same. I didn't see the point of perpetuating and trivializing that stereotype.The critics who say that this movie is particularly dour and depressing, even for a Charlie Kaufman movie, overlook one thing: Michael Stone goes back to his family and to his life in a sea of samey faces -- true. "There are three classes of people: those who see. He did something similar by using "Synecdoche" in the title of his last film (in place of Schenectady) and naming the lead after the Cotard delusion.That last scene with Lisa showed the world away from Michael's perspective.My heart sunk so much when Lisa's eyes changed to that blue. He's a cad, a middle aged guy experiencing a midlife crisis, who intends to cheat on his wife. The people along the way are scarred, vulnerable, and sometimes sing classic pop songs that aren’t cool like they used to be. That's called waffling or flip-flopping in power-seeking politics. There are spoilers in the plot or character descriptions. And as he notices more and more of these, she becomes more and more human, and he hears her just like everyone else. She learns from the experience--not because Michael saved her, but because he abandoned her. It doesn’t feel real. What a fucking tragic and sorry life he has ahead of him. Spoilers ahead obviously so beware.

For 90 minutes, Anomalisa sweetly puts a puppet hand in yours and reveals the sad truth of how empty life can be when a man sees the world as a service industry for his hero’s journey. I need to pay more attention to proper nouns in Kaufman films.
We're human and fallible, with conflicting needs and desires, and don't always make the "right" decision -- sometimes there isn't even a right choice.Michael is so blinded by his own boredom and self-loathing that he not only cheats on his wife, but then thinks he can somehow regain lost time by abandoning his family for Lisa.

Then the veneer of Michael’s lust and the slime of his fantasies drop away. I talked with a few strangers in the subway, complemented a man’s tie, handed back a woman’s lens cloth case.

However, for older viewers I can see how horribly depressing it could be.I liked how the movie drove its themes, and you explain it really well, but did Micheal really need to be another cheating husband? The dialogue feels incredibly natural, and is captivating throughout.Visually it's bizarre, obviously using 3D printed puppets in stop motion. Anomalisa only has one curtain, felt, well lit, and very nearly transparent. They never seem to work! Then she might as well disappear. Sometimes the world just feels like how he sees it. He is very indifferent to his wife and son and would easily leave them at the drop of a hat, he had no interest in what the taxi driver had to say. Anomalisa Writer/co-director Charlie Kaufman’s tale of loneliness is a stop-motion masterpiece The other faces in the movie are actually Monalisa's almost similar to its title Anomalisa. If you remeber it was set in a Hotel called The Fregoli. It's a retaliation against both the "you're special" message of society (inasmuch as that message can foster denial of others) and the current Hollywood/indiewood obsession with Chosen Ones. I think Anomalisa is, weirdly enough, a celebration of normality as well as a satire of the sort of indie film where two "outsiders" are magically saved from dealing with other people by meeting each other.Despite his view of "everyone else" as being vacuous, it's Michael who seems to be truly empty. How could this film have been improved?It was nice to get a relatively straight forward film from Kaufman -- I recently watched Synecdoche NY, and was pleasantly surprised that this story had familiar dramatic beats.
He is reversing his own decision here. (Joseph Campbell, 1986)Kaufman seems to paint psyche outlines of a spot - and seems to contemplate - why are so many avoiding that spot?==My interpretation== My interpretation is that unlike some other people's suggestions the Japanese Geisha doll is rather a metaphor for Lisa rather than actually being Lisa in a possible hallucination by Michael. robot he gets in the sex store?


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