“We had an Allen & Heath console, JBL speakers, a Crown power amp, a Tascam 38 reel-to-reel eight-track, a Technics two-track to mix on to ¼” tape. “I do everything in Pro Tools (HD 12), I’ve got my Drum Workshop drums here and I’ve got a Baldwin Acrosonic acoustic piano and I’ve got a bunch of Line 6 direct input guitar modellers.

Having started his production career with the opening of Smart Studios in 1983, a joint commercial enterprise with fellow Garbage member Steve Marker, Vig has amassed an impressive and expansive collection of vintage and analogue gear over the years, plenty of which has made its way into his current home studio, after Smart closed its doors in 2010. The singer the trio hired was a Scottish woman with the equally unlikely name of Shirley, and their 1995 debut sold a million copies in its first year, earning the band a Grammy nomination for Best New Artist.

That was the way it was for a long time. I guess that’s one of the things that makes a good producer, that a band trusts the producer’s opinion. He acquired his nick name Butch at his childhood stage due to the severe crew cut of which his father gave him. He’s even found time this year to form new band 5 Billion In Diamonds with UK DJ James Grillo and producer Andy Jenks. That’s not to suggest that his focus on the more technical elements of producing records is in any way lacking, but his emphasis on truly understanding how to coax best possible performances out of artists and his knack for a knockout arrangement is virtually unrivalled among his peers or today’s contemporary knob twiddlers. This soundtrack work stirred his interest in the manipulation of sound. Studio INTERVIEW: 2018 MPG Awards UK Producer Of The Year winner Catherine Marks. Things like tape editing and automatic double tracking on vocals and running things in reverse, and just his clever use of arrangements; what he brought into songs was unorthodox and not necessarily live instrumentation, the studio became a canvas to paint on.

Not on all the songs, but I think that comes from the presence of analogue instrumentation.” In many ways, 5 Billion In Diamonds is emblematic of Vig’s career to date: a diverse array of artists from all over the world, encompassing a vast range of genres, all featuring the man himself on production and drumming duties. Their self-titled debut, which is set for release on August 11, was co-produced by the trio and boasts a sound that spans genres gulfs apart, gliding freely from folk rock and pop one minute to pulsating, electro-driven soundscapes the next. And I am opinionated!

Steve Lilywhite – I love the XTC records and the tracks he did with U2; he got that great, huge drum sound that sounded incredible. The celebrated producer ushered in the sound of distorted vocals in a beautifully musical way, and this feature is an integral part of the sound that the Butch Vig Vocals plugin faithfully recreates.He continues: “I always tried to bring a fresh perspective that the band might not have thought of because they aren’t as objective about it. “The home studio I have now is pretty awesome,” Vig beams, affable and disarmingly modest for a producer of such calibre. Samples der Woche: Drei kostenlose Sample-Pakte und darauf basierende Instrumente gibt es für euch diese Woche.Und wenn ihr noch ein paar Euro ausgeben wollt, bietet euch Best Service The Orchestra Complete 2, Native Instruments die Butch Vig Drums und Prime Loops 808 Vs SP-12 an. Channel Plugin (Download) Brings the Butch Vig Vocal sound into the DAW; Three-band EQ; Low and high pass filters as well as mid-range with selectable frequencies; Compressor and de-esser; Tube and transistor saturation effect; Specifications.

When I hear it I sort of see a dark fog over it, a little bit of noir floating around. There used to be a hierarchy, where you would start out as the tea boy and, if you could handle that long enough and take the abuse, then you got moved up to tape operator, then second engineer, then engineer, then maybe after years of that you could go into producing. The very briefest of glances at Vig’s CV tells you everything you need to know about his ferocious work ethic and the regard in which he is held by the alt-rock world and its finest exponents, reading like a veritable who’s who of virtually every influential alt-rock act of the past quarter century or so. That kind of information was never around 20 or 30 years ago. That’s the first part of the chain, so the microphone is a key component, especially when recording drums and vocals.” His current set up has evidently evolved significantly from his formative days at Smart working with lock punk rock bands.


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