“You could count on Lois to always get the job done.
44, No. Good luck.Start my making sure your piccolo is in good working condition.

In more than 2,000 Boston Pops performances of “The Stars and Stripes Forever,” a moment always arrived when Lois Schaefer was the star of the show.Though she was a master of the memorable piccolo solo that is the song’s highlight of the song, she didn’t take her eyes off the musical score — not in her first concert, not in her 2,000th. The piccolo line will sound mushy if you try to single tongue and you'll have trouble keeping the tempo up. If it ever got wet while marching - it is probably a mess.

Work with a tuner to determine if your piccolo tends to play them sharp or flat. Third - practice JUST the short mordents (one flip of a trill) where they occur.

If you're well prepared, the nervous energy can work in your favor. “It somehow suited her personality, which was that way, too. She gardened there and at her summer place in the Berkshires for the Tanglewood part of the season.“She had beautiful gardens,” said her nephew Nick Winograd of Spring Mills, Pa.In the few weeks between the summer and fall concert seasons, Ms. Schaefer and her sister met in Washington State to camp and hike, often around Mount Rainier.“That was such a bonding thing,” said Winifred, who is 100 and Ms. Schaefer’s only immediate survivor.


Buy Stars and Stripes Forever (Piccolo Solo with at jwpepper.com.

“She can also break your heart with a perfectly placed high pianissimo in a Mahler or Shostakovich slow movement.”He added that Ms. Schaefer was “a great artist who has mastered an impossible instrument.”Dyer even tipped his hat to her playing on nights when he was less impressed with the rest of the orchestra’s overall performance.Reviewing a 1980 BSO concert at Tanglewood, he likened her performance to “showering diamond dust.” In 1986, Dyer wrote that her piccolo playing was “iridescent” during a Symphony Hall offering of a Ravel selection, conducted by Seiji Ozawa.“Seiji really appreciated her artistry and her collegiality,” Buyse recalled.Ms. Download and print in PDF or MIDI free sheet music for The Stars and Stripes Forever by Sousa, John Philip arranged by JannisKantner for Trombone, Trombone (Bass), Trombone (Tenor) (Mixed Quartet) Second, go thru the whole solo, and leave out all the trills and ornaments, except for the long trills at the end of every 4 bars - and the long Eb trill near the end. You need more alternate fingering than the flutes uses - and even if you stick with the traditional flute fingerings, your embouchure is critical.

A month is plenty of time - the solo has some repetitive aspects so it's really not that much to learn if you break it down. Lois Schaefer, who died at 95, estimated that she performed the famous piccolo solo in « The Stars and Stripes Forever » with the Boston Pops more than 2,000 times. “I’m not going to miss that note, or the last note of the first movement of the Shostakovich 10th. Every year, private flute students of mine learns this, and it needs to broken down into layers - just THROWING yourslef at it, or the dumb advice of do it again, do it again, do it again will get you nowhere. Relax - you can get this done if you follow my plan - and then for the rest of your life, you have fun, and take a bow!

Find a tempo where you can hit all of the notes correctly and in tempo. It's a real crowd pleaser and a lot of fun to play once you've learned it.

There are MANY great solos like this - I used to play in a circus re-enactor band, and NEVER did I work so hard in my life - or have so much fun! If this is a school piccolo, it is probably out of adjustment, leaking, or crappy to begin with - if it is all metal or even HALF metal, it will never sound great. “So there were a lot of things I had to figure out in a hurry.”Though the piccolo and flute share fingerings, everything else is “diabolically opposed,” she said, adding that she would initially practice piccolo pieces on the flute to solve fingering challenges.“That may be why I have the sound I do, because the sound of the flute is in my ear, and that is what I bring to the piccolo,” she said. Fortunately the whole notes are trilled which helps to cover up bad intonation, but knowing when to roll in or out can help. Then start putting layers together, a couple at a time, in various order - until you can put ALL of them together - the mordents (really inverted mordents, in case a musicologist is reading this .


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