The setting in the New York art scene, the character's professions or the point in life they were at (we follow them from dating to marriage to having children to whatever comes after) wasn't something I could relate to, I felt very close to them. The bits about art, perception and time that were thrown in as the characters developed and progressed through the plot were moving too. I never wanted this novel to end. I cannot expresss this better than they do. Just a moment while we sign you in to your Goodreads account. Absolutely never dull, never boring. I'm in a daze. 0340682388 Also I think I just know Harry in a way that I don't necessarily already know Leo. The narrator is Leo, an art historian who forms a long-lasting friendship with the painter, Bill Wechsler. More than that, he would literally break the spine at that page so that the book would always open where he was forced to stop reading.Among other things, Siri Hustvedt questions in this book the concept of contemporary art. She tells him he can have her for one night, but that she's then moving away. She examines the many facets of love, unrequited love being the most painfully sublime. Take note of the past tense. Her ...This is the story of two men who first become friends in 1970s New York, of the women in their lives, of their sons, born the same year, and of how relations between the two families become strained, first by tragedy, then by a monstrous duplicity which comes slowly and corrosively to the surface.The first third of the novel has little plot momentum, however the characters are well developed.

Especially if you are the one who lives. Is it sad, broken, lonely, joyful, complicated? The story focuses on the contemporary art world in New York and coping with bringing up a dishonest child through adolescence to adulthood. Bill eventually dies in his studio and Violet attempts to curtail her grief by cleaning manically. Siri Hustvedt, author of `What I Loved,' is an extraordinary wordsmith whose prose is poignant, probing, and brainy.

Evidently a connoisseur and an admirer, I think she wants to highlight through her imaginary world that there is a difference between real art and what people take for art nowadays: Teddy Giles, “a wanna-be artist” whose portrait is insisted upon in the second half of the book, bases all his projects on people’s reactions to violence and to matters that are only meant to shock, rather than have an artistic Among other things, Siri Hustvedt questions in this book the concept of contemporary art. She holds a B.A. I would appreciate a sequel, because Hustvedt has given so much intricacy to her characters; it would be wonderful to find out what happens to them. Read it if you’ve enjoyed I consider this book to be truly wonderful. A third of the way into the book a couple of significant events occur providing plot momentum. in history from St. Olaf College and a Ph.D. in English from Columbia University; her thesis on Charles Dickens was entitled Figures of Dust: A Reading of Our Mutual Friend.Hustvedt was born in Northfield, Minnesota. I always know I love a book when I want to re-read it immediately. These two men and their families remain friends for over 25 years. Now I have finished it. This will be our law -that we write our dailiness and our suffering very, very carefully.”“When I spoke to her, I had the feeling that her thoughts had been nourished in wide-open spaces where talk was sparse and silence ruled.” The characters were amazingly portrayed and always felt like complex, real human beings. Leo’s story touched me deeply because his account and his destiny as he aged rang so true to life for me. Also I think I just know Harry in a way that I don't necessarily already know Leo. in history from St. Olaf College and a Ph.D. in English from Columbia University; her thesis on Charles Dickens was entitled Figures of Dust: A Reading of Our Mutual Friend.“I don't want the words to be naked the way they are in faxes or in the computer.
Always something that gets you thinking.


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